![]() ![]() Impossible to allow room for character development.Īs a who’s who of Hollywood elite and trendy tastemakers: Bill Murray, Tilda But Anderson’s human connection seems to have short-circuited so that his irony now bypasses the world and becomes an ironic contemplation of his own work.”Īlmost every actor Anderson has ever worked with, plus several more, makes it 18, 2021, it states, “The artistic signature is unmistakable - 30 seconds in, you know you are watching a Wes Anderson movie. The film is set in the aptly named, fictious French town of Ennui-sur-Blasé, which translates to boredom-on-apathy, which is exactly how I felt watching this movie.Īccording to the San Francisco Chronicle’s Mick LaSalle in a story titled, Review: Wes Anderson’s ‘The French Dispatch’ is a star-studded flop published on Oct. The most Wes Anderson-y of all Wes Anderson films at this point, has devolved into self-parody. With his latest film, The French Dispatch, Wes Anderson unfortunately has finally lost the plot. Bottle Rocket, The LifeĪquatic and The Darjeeling Limited, each had problems, but they were Him, Wes Anderson has never made a bad movie. Heighten the quirkiness but fit the overall mood of whatever movie you are Will be perfectly parallel framed shots, with some lateral dolly shots, immersiveĪre filled with quirky oldies mixed with impeccable Mark Mothersbaugh scores which Whenever a new Wes Anderson movie is announced, if you are familiar with his oeuvre, you know what you are in for, a stylised character study that can only be described as Wes Anderson-y.īe featured with an ever-increasing cast of regulars, all expertly playingĬharacters that explore a restrained version of the many facets of the human There is a difference: the former would come off as prescriptive the latter is the paper on which to write a love letter.The first Wes Anderson movie to truly disappoint, “The French Dispatch”, a movie about a fictitious newspaper, is better off left unread (or watched). He’s not trying to film France rather, he’s trying to commit to the screen his version of France. This is a smart choice, because it gives Anderson room to breathe: if this is a made-up locale, then he can freely shape it to his image. It has some big-city characteristics, such as its own underground transportation system (echoing the real-life Paris, Lyon, Marseille, and a handful of additional French cities), but small-town aesthetics. I can’t be blasé about it.) On screen, Ennui is a fluid, ethereal setting that tends to adapt to the plot’s needs. (The name translates literally to Boredom-upon-Jaded, which, come on! That’s genius. Asteroid City: Wes Anderson’s new film comes to life in London exhibitionĪnderson chose to set The French Dispatch in Ennui-sur-Blasé, a fictional location.Wes Anderson took a cast of stars to the desert and made his best film in years.Wes Anderson looks to the stars in the arch, enrapturing Asteroid City – review.I live in a foreign country too (hello, the US of A), and if someone told me to keep my opinions of it to myself on the basis that I’m not from around here, I would have a few choice words for them. Then again, I’ve always tried not to lean too hard into this defensiveness, because, well, I don’t think it’s my better instinct. There is a high risk of getting certain things plain wrong. Committing it to film is a tricky exercise, and one that’s sure to set off an overwhelming amount of discourse. France, you see, also happens to be the country where I was born and raised. Here is where my Spidey-Sense would usually start waking up. ![]() The French Dispatch, as its title would suggest, is set in France, a country Anderson loves dearly, and where he has spent a good amount of time. ![]() A charming, whimsical, gently existential tightrope, but a tightrope all the same. The French Dispatch, Wes Anderson’s new film, is a tightrope. ![]()
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